White Bee (2020 - 2024)


White Bee explores the forgotten matriarchal lineage in a patriarchal context, delving into themes of memory, female identity, and family connections. It bridges the distant past with personal reflections on womanhood and future legacies while examining the emotional, cultural, metaphysical, and biological connections between generations of women in the family, as the artist reflects on her role in this continuum.

In my grandmother’s house, I found a family tree drawn by a distant relative back in 1971. Accompanying it was a letter to my great-grandfather, detailing the migration routes our family took from Bosnia and Albania to Montenegro in the 14th and 15th centuries. It also traces the blood ties between generations of men, each prominently listed by name, all leading to the branch of the family I belong to today. In contrast, one mention stood out: the foremother of our family fraternities, whose name remains lost to time, overshadowed by the weight of patriarchy.

In Serbian tradition, this archetype of the mother, the earliest known female ancestor, is called bela pčela (eng. translation a white bee). Not much is clear about the term, especially since it's so rare to even find a family tree that acknowledges women. However, this mythical mother is believed to be called the white bee because she appears in the whiteness of the fog of memory and swarms like a bee in our consciousness, trying to wake us up and remind us she is still here.

Mine succeeded in that.

Her presence brought up questions of history, memory, and the overlooked role of women in a male-centered lineage. Discovering my white bee awakened something within me - it pulled me inward, prompting me to reflect on my own experiences as a woman in the early thirties and grapple with themes of fertility, reproduction, inheritance, and the deep bonds with the women in my life—my mother, aunts, sisters, and especially my grandmothers.

While my earlier reflections were rooted in the distant past, the spirit of the white bee guided me to the present and gazed toward the future, posing a symbolic question: will I be a white bee to someone?

 

*Part of the project was developed under the VID Foundation for Photography grant.

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My great-grandmother's Gorda death certificate, 1961
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Saint Paraskeva on a Serbian Orthodox icon with the church in the background
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A letter explaining a family tree written by a distant relative sent to my great-grandfather in 1971.
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Family tree compiled by a distant relative in 1971
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My grandfather's sisters with their grandmother in Peć, Kosovo in 1961. From left to right: Milanka, Anka, Gorda (below), Desanka, Branka and Slavka
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My mother as a child with her aunts, 1970s
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Matrilinear family tree, 2021
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Me as a baby with my grandmothers
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My grandmother's sister's wedding day. The women on the left side of the photo are my great-grandmother, my grandmother, and two of her sisters.
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My baby hair in the envelope. The text below reads: My mom cut my hair for the first time on Saint Nicholas Day 19.12.1991.
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My mother and me in her belly, 1990
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Works